Oldies but goldies



Midnight in Hollywood (1942), de Jack Cole.

Blonde Queen of Crime (1945), de Rudy Palais.

Johnny Quick. The 9th wonder of the world! (1947), de Bill Finger, Mort Meskin y George Roussos y We were trapped in the Valley of No Return (1960), de Mort Meskin, Joe Kubert y George Roussos, aquí.

Bouncing Betsys (1952), de Hank Chapman y Jerry Robinson y No prisoners (1952), de George Tuska, aquí.

Pogo (1953), de Walt Kelly.

The return… of the human torch (1953), de Carl Burgos y Russ Heath.

He waits at the tombstone (1954), de Stan Lee y Joe Maneely.

The green kids, de George Evans, The good luck piece, de Bernard Krigstein, The novice and the ace, de Wally Wood y Home again, de Jack Davis, todas de 1955, aquí.

The man who lost his face (1957), de Steve Ditko.

Ten billion BC /1958), de Steve Ditko.

I was an 88 pond weakling (1958), de Sol Brodsky.

Asterix. For Gaul Lang Syne (1967), de René Goscinny y Albert Uderzo.

Dax the Damned. Chess (1972), de Bill DuBay y Esteban Maroto.

Hop-Frog, de Archie Goodwin y Reed Crandall y Hop-Frog, de Dino Battaglia, aquí.

Doomsday +1. A faceless foe (1975), de Joe Gill y John Byrne.

Elric of Melniboné. The prisoner of Pang-Pang (1976), de Eric Kimball y Bob Gould.

World’s Finest. Three billion targets (1977), de Bob Haney, José Luis García López y Murphy Anderson.

Sgt. Rock. Dead man’s trigger (1977), de Robert Kanigher y Joe Kubert.

Kiss (1977), de Steve Gerber, Alan Weiss, Al Milgrom, Rich Buckler y John Buscema.

Captain Marvel. Shadow doom (1979), de Archie Goodwin y Steve Ditko.